Costume Standby, Costume Bus, Costume Extras
Hobart TAS, Australia
Flip is an experienced Key Costume Standby, Standby Assist, Bus Manager, Extras Co-ordinator.
Flip has worked all over Australia (almost!) as well as Thailand & Bangkok. Originally from Sydney she now resides in Hobart. Flip travels interstate and intrastate for work.
Feature films, television, commercials.
supporting screen practitioners statewide
Statewide - office in Hobart
Wide Angle Tasmania is an independent, not-for-profit organisation that has delivered grassroots opportunities and resources to the Tasmanian screen sector since 2003.
Wide Angle Tasmania's mission is to strengthen Tasmania's screen culture by encouraging, developing and supporting Tasmanian screen practitioners.
We provide quality film production equipment (cameras, lights, audio, unit gear, camera support, projectors etc.) in Tasmania and offer a 30% discount on gear hire to all current financial members . All prices include GST and insurance. We can courier equipment to most locations within Tasmania with advance bookings.
Wide Angle manages the Screen Centre with a 70 seat-cinema/studio, offices, micro-cinema and meeting rooms available for short and longer term hire.
Wide Angle offers a comprehensive range of services and resources to support Tasmanian filmmakers - we look forward to connecting with you!
Hobart, Tasmania, Australia
As a cameraman/video producer with 12 years experience in the media industry. I have worked on a range of diverse projects eg. documentaries such Gourmet Farmer and Storm Surfers 3D. Travelling to remote Aboriginal communities with The National Museum of Australia - documenting the Encounters Project. Working with rock star Jon English to help save the devil campaign, even My Kitchen Rules and Ray Martin. My aspirations are to be recognized as a professional, and a leader in the industry of arts and media.
Script Supervisor ~ Production Coordinator ~ Production Assistant
Hobart TAS, Australia
Felicity is a Freelance Production Coordinator/ Assistant and emerging Script Supervisor who has worked in the Production Office on television series, and on a number of short film projects. Felicity holds extensive experience in Management and Corporate Governance and thrives when applying these skills to Film Production. In early 2019 Felicity successfully completed an Industry Certificate in Production Management at Australian Film Television Radio School (AFTRS) in Sydney. Felicity is based in Hobart, Tasmania and holds a comprehensive knowledge of her beautiful home state and the network of screen professionals that live here, she is happy to relocate for work and highly adaptable to challenging locations, and high pressure environments. With an open mind and easy-going yet professional nature Felicity is a passionate, committed, and valued member of any team.
Colleagues have reported that Felicity's attributes include being highly efficient, results oriented, with excellent problem-solving and diplomacy skills. Able to quickly assess areas in need of improvement, and adept at developing creative and new methods to improve efficiency and efficacy . Available to work in; Continuity as Script Supervisor, Production Office, Locations, Unit, Art Department, Costume. Highly adaptable and transferable skills, enquiries more than welcome.
Lisa has over 30 years experience as a Costume designer for Feature Film ,Television series and commercials . She has won awards and nominations with AACTA and APDG. She has recently designed 'The Secret She Keeps' for Lingo films ,the award winning period series ' A Place to Call Home ' seasons 2-6, "The End ' for JigSaw films and most recently fro Amazon the new series ' Back to the Rafters '
Extras Standby, Costume Assistant, Runner
Hobart TAS, Australia
I have over 8 years’ experience in the industry gained through working Feature and Short films, TV series and a Documentary.
I have worked as a Costume Assistant and as a daily, and Extras Standby. My duties included: assisting with cast fittings, buying, managing and maintenance of costumes. Setting up a workroom, garment mending and alterations, dyeing and breaking down items, making stunt clothing, Organising costumes and accessories for Main cast and extras, dressing actors, maintaining continuity, standby on set, cleaning, ironing, assisting with the organising of the costume truck. I can sew, follow patterns and alter garments. I have been involved in pre-production and post-production and am familiar with the returning of garments to both interstate and overseas companies.