Paul Moran is a Scottish creative producer living in Northwest Tasmania. After graduating with BA(Hons) in Filmmaking & Screenwriting Paul found soon found himself settling on the other side of the planet, bringing a Scottish sensibility to Tasmania where he found a palpable resonance with his homeland.
Having produced several internationally screened and award-winning short films, Paul became a recipient of Screen Australia Enterprise funding, securing a placement at Blue Rocket Productions to be mentored as a creative producer. Since then Paul has worked as an associate producer on children’s animated series, Dumbotz , for Nine Network and has produced a short documentary, Sidelines , for SBS and an animated web-series, Moments of Clarity .
Most recently Paul produced KEEKO , an educational children’s animated interstitial series for ABC and is currently developing several projects for various platforms. Paul currently serves as a board member for Wide Angle Tasmania and has been selected as one of Screen Producers Australia’s “Ones to Watch.”
As a gregarious lover of people, places and the stories that lie intertwined within them, Paul actively seeks to combine his child-like curiosity and open view of the world with his imperative for telling screen stories.
Paul Moran is a Scottish creative producer living in Northwest Tasmania. After graduating with BA(Hons) in Filmmaking & Screenwriting Paul found soon found himself settling on the other side of the planet, bringing a Scottish sensibility to Tasmania where he found a palpable resonance with his homeland.
Having produced several internationally screened and award-winning short films, Paul became a recipient of Screen Australia Enterprise funding, securing a placement at Blue Rocket Productions to be mentored as a creative producer. Since then Paul has worked as an associate producer on children’s animated series, Dumbotz , for Nine Network and has produced a short documentary, Sidelines , for SBS and an animated web-series, Moments of Clarity .
Most recently Paul produced KEEKO , an educational children’s animated interstitial series for ABC and is currently developing several projects for various platforms. Paul currently serves as a board member for Wide Angle Tasmania and has been selected as one of Screen Producers Australia’s “Ones to Watch.”
As a gregarious lover of people, places and the stories that lie intertwined within them, Paul actively seeks to combine his child-like curiosity and open view of the world with his imperative for telling screen stories.
Script Supervisor ~ Production Coordinator ~ Production Assistant
Hobart TAS, Australia
Felicity is a Freelance Production Coordinator/ Assistant and emerging Script Supervisor who has worked in the Production Office on television series, and on a number of short film projects. Felicity holds extensive experience in Management and Corporate Governance and thrives when applying these skills to Film Production. In early 2019 Felicity successfully completed an Industry Certificate in Production Management at Australian Film Television Radio School (AFTRS) in Sydney. Felicity is based in Hobart, Tasmania and holds a comprehensive knowledge of her beautiful home state and the network of screen professionals that live here, she is happy to relocate for work and highly adaptable to challenging locations, and high pressure environments. With an open mind and easy-going yet professional nature Felicity is a passionate, committed, and valued member of any team.
Colleagues have reported that Felicity's attributes include being highly efficient, results oriented, with excellent problem-solving and diplomacy skills. Able to quickly assess areas in need of improvement, and adept at developing creative and new methods to improve efficiency and efficacy . Available to work in; Continuity as Script Supervisor, Production Office, Locations, Unit, Art Department, Costume. Highly adaptable and transferable skills, enquiries more than welcome.
Felicity is a Freelance Production Coordinator/ Assistant and emerging Script Supervisor who has worked in the Production Office on television series, and on a number of short film projects. Felicity holds extensive experience in Management and Corporate Governance and thrives when applying these skills to Film Production. In early 2019 Felicity successfully completed an Industry Certificate in Production Management at Australian Film Television Radio School (AFTRS) in Sydney. Felicity is based in Hobart, Tasmania and holds a comprehensive knowledge of her beautiful home state and the network of screen professionals that live here, she is happy to relocate for work and highly adaptable to challenging locations, and high pressure environments. With an open mind and easy-going yet professional nature Felicity is a passionate, committed, and valued member of any team.
Colleagues have reported that Felicity's attributes include being highly efficient, results oriented, with excellent problem-solving and diplomacy skills. Able to quickly assess areas in need of improvement, and adept at developing creative and new methods to improve efficiency and efficacy . Available to work in; Continuity as Script Supervisor, Production Office, Locations, Unit, Art Department, Costume. Highly adaptable and transferable skills, enquiries more than welcome.
Production Assistant, Location Scout and Runner
Hobart TAS, Australia
Freelance Production Assistant, Location Scout and Runner.
Experienced in TVC's, editorials and online campaigns for fashion, home and travel
Employment Overview:
TV Series – Gordon Ramsey’s- Uncharted and Selling Houses Australia
TV Commercials – Tourism Tasmania, Optus, JMC, Procreate, NILS and Care Forward
Campaigns and Editorials – Oroton, Witchery, Country Road and Jones Mag and Yeti
Events and Festivals – MONA FOMA 2020, A Festival Called Panama 2020, REMADE (2017-2020) - Interweave Arts Association
Skills and Knowledge:
Offering Production Assistance, Location Scouting and Management, Artist Liaising and Stage Management. As well as on set support for TV, TVC’s and Fashion, Home and Travel Editorials.
- Location Scouting and Reconnaissance
- Location Management
- Filming Applications
- Filming and Parking Permits
- Stage Management
- Artist Liaison
- Daily Call Sheets (can use the ‘SetHero’ App)
- Venue and Studio Bookings
- Talent Release Forms
- Wardrobe and Styling
- Prop Sourcing
- Equipment Hire
- Transport and Travel Arrangements
- Catering
- Multi-tasking
- Time Management
Freelance Production Assistant, Location Scout and Runner.
Experienced in TVC's, editorials and online campaigns for fashion, home and travel
Employment Overview:
TV Series – Gordon Ramsey’s- Uncharted and Selling Houses Australia
TV Commercials – Tourism Tasmania, Optus, JMC, Procreate, NILS and Care Forward
Campaigns and Editorials – Oroton, Witchery, Country Road and Jones Mag and Yeti
Events and Festivals – MONA FOMA 2020, A Festival Called Panama 2020, REMADE (2017-2020) - Interweave Arts Association
Skills and Knowledge:
Offering Production Assistance, Location Scouting and Management, Artist Liaising and Stage Management. As well as on set support for TV, TVC’s and Fashion, Home and Travel Editorials.
- Location Scouting and Reconnaissance
- Location Management
- Filming Applications
- Filming and Parking Permits
- Stage Management
- Artist Liaison
- Daily Call Sheets (can use the ‘SetHero’ App)
- Venue and Studio Bookings
- Talent Release Forms
- Wardrobe and Styling
- Prop Sourcing
- Equipment Hire
- Transport and Travel Arrangements
- Catering
- Multi-tasking
- Time Management
I have over 17 years diverse experience in documentary production from solo producer shooter to working with large crews. In addition to cinematography and field producing, I have also worked in various positions from field logistic support, photography and sound recording. I am experienced in producing material for both web/multimedia/social and standard broadcast.
I am an extreme environment specialist, from the tropics to the polar regions , with a solid guiding and expedition background (I am an accredited polar guide). I am used to working unsupported in remote areas, both topside and underwater.
Most of my work has been in natural history (BBC NHU, Nat Geo), science, various human documentaries (Nat Geo, Discovery, ABC, SBS), conservation and educational programs. Specific recent camera experience includes remotely controlled cameras, stabilized systems and drones. I am a CASA licensed drone pilot.
News and Documentary Emmy nomination for outstanding cinematography for BBC Spy in the Wild (2018), UK GTC award for Excellence (2019) for BBC Spy in the Snow
show reel : https://www.dropbox.com/s/y76eyatxdxww2iy/Fred%20Olivier%20Showreel%20H264%2020190614.mov?dl=
I have over 17 years diverse experience in documentary production from solo producer shooter to working with large crews. In addition to cinematography and field producing, I have also worked in various positions from field logistic support, photography and sound recording. I am experienced in producing material for both web/multimedia/social and standard broadcast.
I am an extreme environment specialist, from the tropics to the polar regions , with a solid guiding and expedition background (I am an accredited polar guide). I am used to working unsupported in remote areas, both topside and underwater.
Most of my work has been in natural history (BBC NHU, Nat Geo), science, various human documentaries (Nat Geo, Discovery, ABC, SBS), conservation and educational programs. Specific recent camera experience includes remotely controlled cameras, stabilized systems and drones. I am a CASA licensed drone pilot.
News and Documentary Emmy nomination for outstanding cinematography for BBC Spy in the Wild (2018), UK GTC award for Excellence (2019) for BBC Spy in the Snow
show reel : https://www.dropbox.com/s/y76eyatxdxww2iy/Fred%20Olivier%20Showreel%20H264%2020190614.mov?dl=
I have proven records of being able to deliver on set in a variety of different production roles. My current skill set includes : Directing, skills within the production department and the Art department. These various roles enable me to work with a broad perspective within a team. I am an excellent team player and will go above and beyond to achieves the best outcomes within the department.
I have proven records of being able to deliver on set in a variety of different production roles. My current skill set includes : Directing, skills within the production department and the Art department. These various roles enable me to work with a broad perspective within a team. I am an excellent team player and will go above and beyond to achieves the best outcomes within the department.
Extras Standby, Costume Assistant, Runner
Hobart TAS, Australia
I have over 8 years’ experience in the industry gained through working Feature and Short films, TV series and a Documentary.
I have worked as a Costume Assistant and as a daily, and Extras Standby. My duties included: assisting with cast fittings, buying, managing and maintenance of costumes. Setting up a workroom, garment mending and alterations, dyeing and breaking down items, making stunt clothing, Organising costumes and accessories for Main cast and extras, dressing actors, maintaining continuity, standby on set, cleaning, ironing, assisting with the organising of the costume truck. I can sew, follow patterns and alter garments. I have been involved in pre-production and post-production and am familiar with the returning of garments to both interstate and overseas companies.
I have over 8 years’ experience in the industry gained through working Feature and Short films, TV series and a Documentary.
I have worked as a Costume Assistant and as a daily, and Extras Standby. My duties included: assisting with cast fittings, buying, managing and maintenance of costumes. Setting up a workroom, garment mending and alterations, dyeing and breaking down items, making stunt clothing, Organising costumes and accessories for Main cast and extras, dressing actors, maintaining continuity, standby on set, cleaning, ironing, assisting with the organising of the costume truck. I can sew, follow patterns and alter garments. I have been involved in pre-production and post-production and am familiar with the returning of garments to both interstate and overseas companies.
Screen Tasmania is a business unit of the Tasmanian Department of State Growth