Paul Moran is a Scottish creative producer living in Tasmania. After graduating with BA(Hons) in Filmmaking & Screenwriting Paul found soon found himself settling on the other side of the planet, but a notorious Scottish sensibility followed him to Tasmania where he found a palpable resonance with his homeland.
Having produced several internationally screened and award-winning short films, Paul became a recipient of Screen Australia Enterprise funding, securing a placement at Blue Rocket Productions to be mentored as a creative producer. In this period Paul has worked as an associate producer on kids animated series, Dumbotz , for Nine Network and has produced a short documentary, Sidelines , for SBS and animated comedy web-series, Moments of Clarity, as well as working on several other projects across the company’s slate.
As a gregarious lover of people, places and the stories that lie intertwined within them, Paul actively seeks to combine his passions and open view of the world with his imperative for telling screen stories. Paul has been selected as one of Screen Producers Australia’s “Ones to Watch.”
Paul Moran is a Scottish creative producer living in Tasmania. After graduating with BA(Hons) in Filmmaking & Screenwriting Paul found soon found himself settling on the other side of the planet, but a notorious Scottish sensibility followed him to Tasmania where he found a palpable resonance with his homeland.
Having produced several internationally screened and award-winning short films, Paul became a recipient of Screen Australia Enterprise funding, securing a placement at Blue Rocket Productions to be mentored as a creative producer. In this period Paul has worked as an associate producer on kids animated series, Dumbotz , for Nine Network and has produced a short documentary, Sidelines , for SBS and animated comedy web-series, Moments of Clarity, as well as working on several other projects across the company’s slate.
As a gregarious lover of people, places and the stories that lie intertwined within them, Paul actively seeks to combine his passions and open view of the world with his imperative for telling screen stories. Paul has been selected as one of Screen Producers Australia’s “Ones to Watch.”
Caleb has provided professional film audio recording and post-production mixing to hundreds of clients over years in the Tasmanian film industry. He is fully insured with all required equipment - high quality microphones, booms, radio transmitters, field recorders. Caleb specialises in multiple camera sync with audio and timecode, noise reduction, dialogue enhancement, sound design and is able to shoot video and pull focus, making him versatile and indispensable on set. Caleb's cameras and audio gear are also available for hire.
Caleb has provided professional film audio recording and post-production mixing to hundreds of clients over years in the Tasmanian film industry. He is fully insured with all required equipment - high quality microphones, booms, radio transmitters, field recorders. Caleb specialises in multiple camera sync with audio and timecode, noise reduction, dialogue enhancement, sound design and is able to shoot video and pull focus, making him versatile and indispensable on set. Caleb's cameras and audio gear are also available for hire.
Ella is an experienced writer, director and producer with 20 years experience in documentary, factual and current affairs. She wrote and directed her first documentary De Witt Island 7001: Back to the Big Witch for SBS’s Australia by Numbers series in 2003. It told the story of a young woman who went to live on a remote Tasmanian island in 1971 and the media storm that followed her. Ella went on to work as a producer for SBS’s Insight program, ABC Radio 702 Sydney and Independent Production house CJZ. Her credits include Go Back to Where you Came From series 3 , Joe Hildebrand’s Shitsville Express which tested young political aspirants for the ABC and crime show Wanted for Channel Ten. Most recently she wrote, directed and produced a 19-minute single episode version of Flavour Swap for SBS on Demand.
Ella is an experienced writer, director and producer with 20 years experience in documentary, factual and current affairs. She wrote and directed her first documentary De Witt Island 7001: Back to the Big Witch for SBS’s Australia by Numbers series in 2003. It told the story of a young woman who went to live on a remote Tasmanian island in 1971 and the media storm that followed her. Ella went on to work as a producer for SBS’s Insight program, ABC Radio 702 Sydney and Independent Production house CJZ. Her credits include Go Back to Where you Came From series 3 , Joe Hildebrand’s Shitsville Express which tested young political aspirants for the ABC and crime show Wanted for Channel Ten. Most recently she wrote, directed and produced a 19-minute single episode version of Flavour Swap for SBS on Demand.
Animator. Editor, Post production visual effects
Hobart, Tasmania, Australia
Vivien has professional experience in post-production as an editor and assistant editor and in visual effects as a lead compositor. She is also skilled in storyboarding with a strong background in continuity and experience visualising complex sequences in After Effects.
Other professional experience includes directing and editing web promo and behind the scenes content, including for the ABC.
Parallel to her production work Vivien has directed and produced independent 2D and stop motion animation including "A Girl Needs A Bike" which screened at Flickerfest 2017 and is distributed by Aug & Ohr Medien, Berlin.
Vivien has professional experience in post-production as an editor and assistant editor and in visual effects as a lead compositor. She is also skilled in storyboarding with a strong background in continuity and experience visualising complex sequences in After Effects.
Other professional experience includes directing and editing web promo and behind the scenes content, including for the ABC.
Parallel to her production work Vivien has directed and produced independent 2D and stop motion animation including "A Girl Needs A Bike" which screened at Flickerfest 2017 and is distributed by Aug & Ohr Medien, Berlin.
Cinematographer / Director
Hobart, Tasmania, Australia
Rummin are a Tasmanian based film and digital media production company specialising in cinematic documentary, narrative video and digital media projects.
Rummin believe storytelling is the most powerful way to put ideas into the world today. Stories are what move us, make us feel alive, and inspire us.
We collaborate with NGO’s, Government and ethical businesses to create work that spans television, theatrical, online learning and site-specific installations.
We strive to find powerful and transformative true-to-life stories and leverage some of the best creative talent to share them in ways that bring them to life with a balance of imagination, innovation and authenticity.
Rummin are a Tasmanian based film and digital media production company specialising in cinematic documentary, narrative video and digital media projects.
Rummin believe storytelling is the most powerful way to put ideas into the world today. Stories are what move us, make us feel alive, and inspire us.
We collaborate with NGO’s, Government and ethical businesses to create work that spans television, theatrical, online learning and site-specific installations.
We strive to find powerful and transformative true-to-life stories and leverage some of the best creative talent to share them in ways that bring them to life with a balance of imagination, innovation and authenticity.
I have experience/skills in buying, set dressing, set construction, scenic painting, swing gang, standby, running, making props, sewing, photography, basic graphics, and food prep.
I am also grounded, organised, and a suburb packer.
I have most recently finished working on Rosehaven Series 2 as an Assistant Set Dresser. I have also worked Buying and Art Assisting on TVCs for brands such as Telstra and Kia in Sydney, as well as worked as a Buyer/Standby on a Foxtel Play series, and worked casually for Endemol Shine and Warner Brothers. Additionally, I have experience in theatre set construction and scenic painting. I adore everything I do within art department, and will always find enjoyment in all aspects of our world.
I have experience/skills in buying, set dressing, set construction, scenic painting, swing gang, standby, running, making props, sewing, photography, basic graphics, and food prep.
I am also grounded, organised, and a suburb packer.
I have most recently finished working on Rosehaven Series 2 as an Assistant Set Dresser. I have also worked Buying and Art Assisting on TVCs for brands such as Telstra and Kia in Sydney, as well as worked as a Buyer/Standby on a Foxtel Play series, and worked casually for Endemol Shine and Warner Brothers. Additionally, I have experience in theatre set construction and scenic painting. I adore everything I do within art department, and will always find enjoyment in all aspects of our world.
I have worked as a Scenic in the Film & Television Industry for close to a decade. During this time I have worked on multiple high budget feature films, television series and TVC's. I am motivated to produce high-grade paint finishes and thorough detail for cinematic aesthetics.
I have worked as a Scenic in the Film & Television Industry for close to a decade. During this time I have worked on multiple high budget feature films, television series and TVC's. I am motivated to produce high-grade paint finishes and thorough detail for cinematic aesthetics.
I'm a multi-disciplined creative skilled in the magical arts of graphic design & illustration.
I used to work for Umbrella Entertainment (Melbourne) where I designed over 450+ DVD covers and theatrical posters. I've been freelancing for the last 4 years where my design work still focuses on the film & home entertainment (film posters, DVD designs, pitch & production books & marketing campaigns.)
I'm also a traditionally trained illustrator who loves to draw for illustrated books, comics, animated TV shows & multi-media projects.
www.thefrase.com
I'm a multi-disciplined creative skilled in the magical arts of graphic design & illustration.
I used to work for Umbrella Entertainment (Melbourne) where I designed over 450+ DVD covers and theatrical posters. I've been freelancing for the last 4 years where my design work still focuses on the film & home entertainment (film posters, DVD designs, pitch & production books & marketing campaigns.)
I'm also a traditionally trained illustrator who loves to draw for illustrated books, comics, animated TV shows & multi-media projects.
www.thefrase.com
Professional Makeup Artist and Hairdresser
Hobart TAS, Australia
I am a Hobart based Professional Hairdresser and Make-up Artist with over 25 years experience in the industry.
My 25 years experience has been in Sydney at Network 10, Channel 9, Channel 7 and Foxtel, working on live TV broadcasts, on set drama series and editorial shoots
I have also done a large number of television commercials and National magazine shoots over the years, and also worked on hundreds of wedding parties including several celebrity weddings.
My website is www.trinitykinghairandmakeup.com
My instagram account is @trinityking_hmup
I have attached a brief outline of the National and International celebrities i have worked on.
I am a Hobart based Professional Hairdresser and Make-up Artist with over 25 years experience in the industry.
My 25 years experience has been in Sydney at Network 10, Channel 9, Channel 7 and Foxtel, working on live TV broadcasts, on set drama series and editorial shoots
I have also done a large number of television commercials and National magazine shoots over the years, and also worked on hundreds of wedding parties including several celebrity weddings.
My website is www.trinitykinghairandmakeup.com
My instagram account is @trinityking_hmup
I have attached a brief outline of the National and International celebrities i have worked on.
My name is Liz Goulding. I have been working as a Professional Hair and Make-Up Artist for over 20 years. I love my job. Working as a Hair and Make-Up Artist in Film, TV Drama, Documentaries, TV Comedy, Current Affairs, Editorial , Music Videos and more, is a creatively challenging and rewarding experience.
I live in Hobart Tasmania but happily travel for work. I have also lived and worked in the industry for many years in both Melbourne and Sydney. Most recently late last year (2017) working with the Key Hair/Make-Up team for the Film " Ladies in Black'' with Director Bruce Beresford as Hair and Make-Up Artist to Noni Hazlehurst. I was Head of Make-Up at ABC Hobart for over 10 years and also worked at ABC Melbourne and ABC Sydney as well as TV Drama and Film.
Please view Noirhouse.com Its a Web Series, for an example of my work.
Recent work for me in Tasmania has included :
"The Kettering Incident" (Foxtell 2015) 8 part series.
"Rosehaven" Key Hair & Make-Up/Designer (ABC 2016, 2017) 2x Seasons 16 episodes.
"The Nightingale" Feature Film (2017) Director Jennifer Kent.
My CV attached for further details......
My name is Liz Goulding. I have been working as a Professional Hair and Make-Up Artist for over 20 years. I love my job. Working as a Hair and Make-Up Artist in Film, TV Drama, Documentaries, TV Comedy, Current Affairs, Editorial , Music Videos and more, is a creatively challenging and rewarding experience.
I live in Hobart Tasmania but happily travel for work. I have also lived and worked in the industry for many years in both Melbourne and Sydney. Most recently late last year (2017) working with the Key Hair/Make-Up team for the Film " Ladies in Black'' with Director Bruce Beresford as Hair and Make-Up Artist to Noni Hazlehurst. I was Head of Make-Up at ABC Hobart for over 10 years and also worked at ABC Melbourne and ABC Sydney as well as TV Drama and Film.
Please view Noirhouse.com Its a Web Series, for an example of my work.
Recent work for me in Tasmania has included :
"The Kettering Incident" (Foxtell 2015) 8 part series.
"Rosehaven" Key Hair & Make-Up/Designer (ABC 2016, 2017) 2x Seasons 16 episodes.
"The Nightingale" Feature Film (2017) Director Jennifer Kent.
My CV attached for further details......
Audio Tech / All rounder
Primrose Sands, Tasmania, Australia
I have over 8 years experience in events, I have worked on many productions in a variety of different environments, mainly as sound tech but can do most things on site (LED screens, electrical, lighting, rigging, etc). I have High risk work license for dogging and am looking to complete my intermediate riggers.
I will be a valuable asset to your team.
I have over 8 years experience in events, I have worked on many productions in a variety of different environments, mainly as sound tech but can do most things on site (LED screens, electrical, lighting, rigging, etc). I have High risk work license for dogging and am looking to complete my intermediate riggers.
I will be a valuable asset to your team.
I have proven records of being able to deliver on set in a variety of different production roles. My current skill set includes : Directing, skills within the production department and the Art department. These various roles enable me to work with a broad perspective within a team. I am an excellent team player and will go above and beyond to achieves the best outcomes within the department.
I have proven records of being able to deliver on set in a variety of different production roles. My current skill set includes : Directing, skills within the production department and the Art department. These various roles enable me to work with a broad perspective within a team. I am an excellent team player and will go above and beyond to achieves the best outcomes within the department.
Experienced Seamstress, an efficient worker with a very high standard of construction and keen eye for detailed finishing.
4 years of work at a couture bridal house in Perth, working in all areas of garment cutting, construction, fitting and finishing of high end gowns.
3 years of freelance garment and costume construction by commission.
Experienced Seamstress, an efficient worker with a very high standard of construction and keen eye for detailed finishing.
4 years of work at a couture bridal house in Perth, working in all areas of garment cutting, construction, fitting and finishing of high end gowns.
3 years of freelance garment and costume construction by commission.
My relevant work experience has been on Feature and Short films, TV and Documentary.
I have worked as costume assistant, and extras standby, a daily where my duties included: Organising costumes and accessories, dressing actors, maintaining continuity, standby on set, cleaning, ironing, buying, monitoring costumes for damage and doing last minute alterations, running repairs and organising the costume truck. I have been involved in pre-production and post-production and am familiar with the returning of garments to both interstate and overseas companies.
My relevant work experience has been on Feature and Short films, TV and Documentary.
I have worked as costume assistant, and extras standby, a daily where my duties included: Organising costumes and accessories, dressing actors, maintaining continuity, standby on set, cleaning, ironing, buying, monitoring costumes for damage and doing last minute alterations, running repairs and organising the costume truck. I have been involved in pre-production and post-production and am familiar with the returning of garments to both interstate and overseas companies.
Modal Window
Screen Tasmania is a business unit of the Tasmanian Department of State Growth