Assistant Editor/Data Wrangler/Locations Coordinator.
Tasmania, Australia
Please see resume attached.
Please note I have worked a variety of roles across Production and Post Production and am willing if necessary to take on other positions.
Please see resume attached.
Please note I have worked a variety of roles across Production and Post Production and am willing if necessary to take on other positions.
I have worked as a Scenic in the Film & Television Industry for close to a decade. During this time I have worked on multiple high budget feature films, television series and TVC's. I am motivated to produce high-grade paint finishes and thorough detail for cinematic aesthetics.
I have worked as a Scenic in the Film & Television Industry for close to a decade. During this time I have worked on multiple high budget feature films, television series and TVC's. I am motivated to produce high-grade paint finishes and thorough detail for cinematic aesthetics.
I am a Costume Designer .
I have many years of experience . I have designed costumes for feature films , television series and commercials .
I am looking forward to working in Tasmania where I am now based .
I am a Costume Designer .
I have many years of experience . I have designed costumes for feature films , television series and commercials .
I am looking forward to working in Tasmania where I am now based .
I have extensive administrative skills. Have worked in media, Channel 7 newsroom and current affairs, sports shows. Assisted in producing and organising shoots for stories. Putting together a footage for stories. I have superior practical skills. Script typing, autocue, control room work.
I am looking for any opportunity to work in film or television. Happy to work my way up or through.
Have loads of life experience too.
Cheers
Katherine Adams
I have extensive administrative skills. Have worked in media, Channel 7 newsroom and current affairs, sports shows. Assisted in producing and organising shoots for stories. Putting together a footage for stories. I have superior practical skills. Script typing, autocue, control room work.
I am looking for any opportunity to work in film or television. Happy to work my way up or through.
Have loads of life experience too.
Cheers
Katherine Adams
Director, DP, steadicam op, 1st AC
Launceston TAS, Australia
Producer of Christmas down under.
Qualified Steadicam operators - 3 feature film, 1 TV show, multiple web series and music videos.
DP second unit - 1 Feature film.
DP - multiple short films, web series and music videos.
Gaffer, Grip, 1st AC- Feature films, TV, webseries, Music videos
Editor - Short films, web series, corporate content, web commercials
Script writer - short films, web series.
Producer of Christmas down under.
Qualified Steadicam operators - 3 feature film, 1 TV show, multiple web series and music videos.
DP second unit - 1 Feature film.
DP - multiple short films, web series and music videos.
Gaffer, Grip, 1st AC- Feature films, TV, webseries, Music videos
Editor - Short films, web series, corporate content, web commercials
Script writer - short films, web series.
Catherine Pettman and Matthew Newton head up Rummin Productions.
Rummin are a Tasmanian based film and digital media production company specialising in cinematic documentary, factual television and feature film.
Matthew is a multi-award winning photographer/ DoP and director who has filmed on numerous television series and feature documentaries including Alive and Kicking , Bali High Wedding , What Ever Happened to Brenda Hean and Real Life Water Rats . Matthew has filmed in over a dozen counties, often in remote locations.
Catherine is a creative producer and worked as Head of Production at Roar Film managing feature docs and factual television for broadcasters ZDF, RTE, SBS and the ABC. She has produced several award winning shorts including Stripped Bare and the current international hit Doing it Scared .
Rummin collaborate with NGO’s, Government and ethical businesses to create work that spans television, theatrical, online learning and site-specific installations. At Rummin we believe storytelling is the most powerful way to put ideas into the world today. Stories are what move us, make us feel alive, and inspire us.
Rummin strive to find powerful and transformative true-to-life stories and leverage some of the best creative talent to share them in ways that bring them to life with a balance of imagination, innovation and authenticity.
Catherine Pettman and Matthew Newton head up Rummin Productions.
Rummin are a Tasmanian based film and digital media production company specialising in cinematic documentary, factual television and feature film.
Matthew is a multi-award winning photographer/ DoP and director who has filmed on numerous television series and feature documentaries including Alive and Kicking , Bali High Wedding , What Ever Happened to Brenda Hean and Real Life Water Rats . Matthew has filmed in over a dozen counties, often in remote locations.
Catherine is a creative producer and worked as Head of Production at Roar Film managing feature docs and factual television for broadcasters ZDF, RTE, SBS and the ABC. She has produced several award winning shorts including Stripped Bare and the current international hit Doing it Scared .
Rummin collaborate with NGO’s, Government and ethical businesses to create work that spans television, theatrical, online learning and site-specific installations. At Rummin we believe storytelling is the most powerful way to put ideas into the world today. Stories are what move us, make us feel alive, and inspire us.
Rummin strive to find powerful and transformative true-to-life stories and leverage some of the best creative talent to share them in ways that bring them to life with a balance of imagination, innovation and authenticity.
I am a emerging film and media professional eleven years’ experience and have recently returned to Tasmania after undertaking a Graduate Certificate in Directing at the Australian Film Television and Radio School in Sydney Australia.
I have directed several short films and gained valuable experience working on TV and feature film in various roles as a Directors Attachment under Rowan Wood on the Foxtel Series 'The Kettering Incident''. I have further extended my professional skillset as an Art Department Attachment and Runner on the ABC Television Series ' Rosehaven'
I have assistant directed several short films In Melbourne am hoping to further extend my skills in this department.
My long term career goals is to be a film and television director of both longform Film and Television productions.
I am a emerging film and media professional eleven years’ experience and have recently returned to Tasmania after undertaking a Graduate Certificate in Directing at the Australian Film Television and Radio School in Sydney Australia.
I have directed several short films and gained valuable experience working on TV and feature film in various roles as a Directors Attachment under Rowan Wood on the Foxtel Series 'The Kettering Incident''. I have further extended my professional skillset as an Art Department Attachment and Runner on the ABC Television Series ' Rosehaven'
I have assistant directed several short films In Melbourne am hoping to further extend my skills in this department.
My long term career goals is to be a film and television director of both longform Film and Television productions.
For the last few years I have focused as an Assistant Director, scheduling short films and of recent web serials. Most of my current work has been in Victoria, although I aim to get more opportunities back here in Tasmania.
I also occasionally co-produce projects as well as assist in post production.
For the last few years I have focused as an Assistant Director, scheduling short films and of recent web serials. Most of my current work has been in Victoria, although I aim to get more opportunities back here in Tasmania.
I also occasionally co-produce projects as well as assist in post production.
Nick studied Lighting Design at WAAPA in the late 90's. Since then he's had a career involving Lighting Design and all aspects of film-making.
He now lives in the NW of Tasmania and has started a small production company with a view to making small films locally.
He's able to take on the entire package or be involved as part of the team.
He has a camera and equipment sufficient for a small production company. Other, more specialised equipment (e.g. a Drone) is hired in as necessary.
Nick studied Lighting Design at WAAPA in the late 90's. Since then he's had a career involving Lighting Design and all aspects of film-making.
He now lives in the NW of Tasmania and has started a small production company with a view to making small films locally.
He's able to take on the entire package or be involved as part of the team.
He has a camera and equipment sufficient for a small production company. Other, more specialised equipment (e.g. a Drone) is hired in as necessary.
I have a Bachelor of Music majoring in Music Technology and a Diploma of Fine Arts and Design. I have experience recording, mixing and editing audio at University. I have professional experience editing video on and off for an E-learning company.
I have a Bachelor of Music majoring in Music Technology and a Diploma of Fine Arts and Design. I have experience recording, mixing and editing audio at University. I have professional experience editing video on and off for an E-learning company.
Precision drone and on ground gimbal team
Hobart, Tasmania, Australia
Ignite Digi have been on the cutting edge of cinema drones over the past few years.
We are constantly innovating so we can help you capture amazing shots with the best equipment.
In house, we have an ARRI Alexa Mini and Red Epic camera kits available to work with our MoVI Pro gimbal system. We fly DJI Inspire 2 drone systems with X5S camera on board for 5K RAW capture.
We shot the drone aerials for feature films SFv1 and Cargo , TV series The Kettering Incident , Childhoods End and more. We also provide on ground camera support with car mounts, cablecam and handheld gimbal work.
We also design and manufacture award winning accessories to optimise the use of gimbals on set.
You can see our gear list attached and see more of our work at www.ignitedigi.com.au
TEAM
TOM WAUGH
Tom brings his creative eye to Ignite Digi. He is our in house cinematographer, MōVI controller and camera assistant. His AFTRS cinematography training, years of camera assisting and on set work have prepared him well for this role. Whether working in the creative team discussing the next shot, pulling focus or operating the MōVI, Tom understands visual storytelling and brings both creative and technical knowledge to your next production.
CHRIS FOX
Chris brings his engineering and technical innovation to Ignite Digi. He is our chief pilot, designer and engineer. If you want the camera moved, he will make it so. Whether flying the drone, wearing the MōVI or driving the MōVI mounted car around, he understands the demands of a film set and strives to save minutes of the shoot day by engineering efficient and safe designs.
Ignite Digi have been on the cutting edge of cinema drones over the past few years.
We are constantly innovating so we can help you capture amazing shots with the best equipment.
In house, we have an ARRI Alexa Mini and Red Epic camera kits available to work with our MoVI Pro gimbal system. We fly DJI Inspire 2 drone systems with X5S camera on board for 5K RAW capture.
We shot the drone aerials for feature films SFv1 and Cargo , TV series The Kettering Incident , Childhoods End and more. We also provide on ground camera support with car mounts, cablecam and handheld gimbal work.
We also design and manufacture award winning accessories to optimise the use of gimbals on set.
You can see our gear list attached and see more of our work at www.ignitedigi.com.au
TEAM
TOM WAUGH
Tom brings his creative eye to Ignite Digi. He is our in house cinematographer, MōVI controller and camera assistant. His AFTRS cinematography training, years of camera assisting and on set work have prepared him well for this role. Whether working in the creative team discussing the next shot, pulling focus or operating the MōVI, Tom understands visual storytelling and brings both creative and technical knowledge to your next production.
CHRIS FOX
Chris brings his engineering and technical innovation to Ignite Digi. He is our chief pilot, designer and engineer. If you want the camera moved, he will make it so. Whether flying the drone, wearing the MōVI or driving the MōVI mounted car around, he understands the demands of a film set and strives to save minutes of the shoot day by engineering efficient and safe designs.
I have worked in the television industry for more than 20 years, both in Australia and overseas. Producing content, directing shoots, post-production supervision are my passion!
I have worked in the television industry for more than 20 years, both in Australia and overseas. Producing content, directing shoots, post-production supervision are my passion!
Aspiring Cinematographer
Hobart, Tasmania, Australia
Erin Graham is an emerging Tasmanian filmmaker, bringing story telling to life on screen is my passion. Erin’s journey started in 2012, and since has directed 5 shorts, completed certificate IV in Screen and Media, received the subject award for Media Production from Rosny College. For her short film Alptraum, Erin received a Production Manager award at the 2016 Rosco Award Ceremony.
She is now focusing on camera assisting and wanting to earn her way up the camera department.
Facebook ‖ Instagram ‖ Twitter ‖ Vimeo ‖ Profile
Erin Graham is an emerging Tasmanian filmmaker, bringing story telling to life on screen is my passion. Erin’s journey started in 2012, and since has directed 5 shorts, completed certificate IV in Screen and Media, received the subject award for Media Production from Rosny College. For her short film Alptraum, Erin received a Production Manager award at the 2016 Rosco Award Ceremony.
She is now focusing on camera assisting and wanting to earn her way up the camera department.
Facebook ‖ Instagram ‖ Twitter ‖ Vimeo ‖ Profile
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Screen Tasmania is a business unit of the Tasmanian Department of State Growth